Part I: Rudiments, Units 1-7
Study Guide 1: Pitch Names, Intervals, Scales, Key Signatures, Triads; Rhythm and Meter
Part II: Diatonic Materials, Units 1-3
Study Guide 2: The Tonic and Dominant Triads; Passing Tones and Auxiliary Tones
Part II: Diatonic Materials, Unit 4
Study Guide 3: The Dominant Seventh Chord in Root Position
Part II: Diatonic Materials, Units 5-8
Study Guide 4: The Subdominant Triad; Cadences; The Cadential Six-Four Chord
Part II: Diatonic Materials, Units 9-11
Study Guide 5: Triads in First Inversion; The Supertonic Triad; Inversions of the Dominant Seventh; Appoggiaturas and Suspensions
Part II: Diatonic Materials, Units 12-19
Study Guide 6: The Linear Six-Four Chord; The Submediant, Mediant, and Leading-Tone Triads; The Sequence; The Supertonic 7th and Leading-Tone 7th Chords
Part III: Chromatic Materials, Unit 1
Study Guide 7: Secondary Dominant Chords
Part III: Chromatic Materials, Unit 2
Study Guide 8: Modulation
Part III: Chromatic Materials, Units 3-4
Study Guide 9: Linear Diminished Seventh Chords, The Neapolitan Triad
Part III: Chromatic Materials, Units 5-7
Study Guide 10: Augmented Sixth Chords; Modulation by Other Means; Ninth Chords
Part IV: Twentieth-Century Materials, Units 1-9
Study Guide 11. Twentieth-Century Techniques: Pop Chord Symbols, Diatonic Modes, Exotic Scales, Polychords
Part IV: Twentieth-Century Materials, Units 10-12
Study Guide 12: Free Atonality, Serialism and Beyond